<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments for Courttia Newland</title>
	<atom:link href="http://courttianewland.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://courttianewland.com</link>
	<description>Author, Screenwriter, Playwright, Creative Writing Tutor, Literary Activist</description>
	<lastBuildDate>Fri, 16 Dec 2011 15:28:30 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>Comment on The New Danger by courttianewland</title>
		<link>http://courttianewland.com/2011/12/09/the-new-danger/#comment-1393</link>
		<dc:creator><![CDATA[courttianewland]]></dc:creator>
		<pubDate>Fri, 16 Dec 2011 15:28:30 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/2011/12/09/the-new-danger/#comment-1393</guid>
		<description><![CDATA[I&#039;m not sure what point you&#039;re trying to make here.

The point of the articles I&#039;ve cited is that Black British writers, although successful, are not being promoted as well as white writers, who cover the same topics. The point of my response was that a lot of the comments made by the general public regarding both articles said this is a question of quality, or sour grapes on the part of the authors who wrote those pieces. I referred to the authors I named to prove that this is clearly not the case; lack of promotion was the problem, not lack of success. I even say that! If you compare these authors with the people I named as their peers, and also to someone like Stephen Kelman (who I have no problem with), I think it&#039;s obvious that there&#039;s a disparity between their media promotion (radio, broadsheets, festivals and the like) and any of the people I&#039;ve mentioned in comparison. Even you admit as much, some of the time.

Being published by a corporate publisher, or being nominated for a major award, does not negate the problem; in the cases I cited, it compounds it. What I was saying was, why isn&#039;t Precious Williams given as much column inches as Zadie? Why wasn&#039;t Yvvette Edwards reviewed in every broadsheet paper, even after securing a Booker nomination? Chris Abani is a friend of mine, who lived in London BEFORE he moved to the States, and actually published his short story &#039;Becoming Abigail&#039; in my Penguin anthology of new Black writing back in 2000 - the subsequent novella of the same name went on to win acclaim and awards in the States after he left the UK bemoaning the industry, as he couldn&#039;t get a single book published. Alex Wheatle has an MBE and still doesn&#039;t get invited to literary festivals. So again, I don&#039;t see the problem with what I said.      

As well, I&#039;m not sure why you feel the need to offer your own examples, two of whom are friends of mine, one published by Jonathan Cape, one nominated for a South Bank award, the other published by Virago. What possible difference is offered by these examples? In fact, they only serve to clarify my point - these authors are under-promoted as a whole, despite being successfully published. 

What you&#039;ve actually written as far as I could see, reinforces what I&#039;m say about the relentless need to question our adequacy rather than actually listen to the points being made - even while you admit I have a point. By trying to insinuate that my argument is flawed without looking at the actual argument itself you willfully disengage from what us writers are saying, and actually do more towards stopping anyone from making headway, together, as lovers of good writing - if indeed, that&#039;s what you are.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m not sure what point you&#8217;re trying to make here.</p>
<p>The point of the articles I&#8217;ve cited is that Black British writers, although successful, are not being promoted as well as white writers, who cover the same topics. The point of my response was that a lot of the comments made by the general public regarding both articles said this is a question of quality, or sour grapes on the part of the authors who wrote those pieces. I referred to the authors I named to prove that this is clearly not the case; lack of promotion was the problem, not lack of success. I even say that! If you compare these authors with the people I named as their peers, and also to someone like Stephen Kelman (who I have no problem with), I think it&#8217;s obvious that there&#8217;s a disparity between their media promotion (radio, broadsheets, festivals and the like) and any of the people I&#8217;ve mentioned in comparison. Even you admit as much, some of the time.</p>
<p>Being published by a corporate publisher, or being nominated for a major award, does not negate the problem; in the cases I cited, it compounds it. What I was saying was, why isn&#8217;t Precious Williams given as much column inches as Zadie? Why wasn&#8217;t Yvvette Edwards reviewed in every broadsheet paper, even after securing a Booker nomination? Chris Abani is a friend of mine, who lived in London BEFORE he moved to the States, and actually published his short story &#8216;Becoming Abigail&#8217; in my Penguin anthology of new Black writing back in 2000 &#8211; the subsequent novella of the same name went on to win acclaim and awards in the States after he left the UK bemoaning the industry, as he couldn&#8217;t get a single book published. Alex Wheatle has an MBE and still doesn&#8217;t get invited to literary festivals. So again, I don&#8217;t see the problem with what I said.      </p>
<p>As well, I&#8217;m not sure why you feel the need to offer your own examples, two of whom are friends of mine, one published by Jonathan Cape, one nominated for a South Bank award, the other published by Virago. What possible difference is offered by these examples? In fact, they only serve to clarify my point &#8211; these authors are under-promoted as a whole, despite being successfully published. </p>
<p>What you&#8217;ve actually written as far as I could see, reinforces what I&#8217;m say about the relentless need to question our adequacy rather than actually listen to the points being made &#8211; even while you admit I have a point. By trying to insinuate that my argument is flawed without looking at the actual argument itself you willfully disengage from what us writers are saying, and actually do more towards stopping anyone from making headway, together, as lovers of good writing &#8211; if indeed, that&#8217;s what you are.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on LitroLive! @ Hyde Park Macabre by Cayden</title>
		<link>http://courttianewland.com/2009/10/28/hello-world/#comment-1385</link>
		<dc:creator><![CDATA[Cayden]]></dc:creator>
		<pubDate>Thu, 15 Dec 2011 21:18:07 +0000</pubDate>
		<guid isPermaLink="false">#comment-1385</guid>
		<description><![CDATA[Great iinshgt! That&#039;s the answer we&#039;ve been looking for.]]></description>
		<content:encoded><![CDATA[<p>Great iinshgt! That&#8217;s the answer we&#8217;ve been looking for.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on &#8216;A Book of Blues&#8217; &#8211; Voice Interview by Joeie</title>
		<link>http://courttianewland.com/2011/07/10/a-book-of-blues-voice-interview/#comment-1382</link>
		<dc:creator><![CDATA[Joeie]]></dc:creator>
		<pubDate>Thu, 15 Dec 2011 19:16:55 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/?p=434#comment-1382</guid>
		<description><![CDATA[Your answer lifts the itnellignece of the debate.]]></description>
		<content:encoded><![CDATA[<p>Your answer lifts the itnellignece of the debate.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Colour Me English &#8211; Caryl Phillips &#8211; Review by plaintain1</title>
		<link>http://courttianewland.com/2011/12/14/colour-me-english-caryl-phillips-review/#comment-1375</link>
		<dc:creator><![CDATA[plaintain1]]></dc:creator>
		<pubDate>Thu, 15 Dec 2011 08:05:08 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/?p=752#comment-1375</guid>
		<description><![CDATA[A good article! Interestingly enough I&#039;ve just finished reading In the Falling Snow, Caryl Phillips&#039; latest, and the book is just simply great!  Following Catherine Johnson&#039;s article recently in The Guardian asking the question where are Britain&#039;s black writers, it makes you wonder why she failed to mention this genius?  It has been a long time where I&#039;ve read a book which has managed to stimulate the old grey cells.]]></description>
		<content:encoded><![CDATA[<p>A good article! Interestingly enough I&#8217;ve just finished reading In the Falling Snow, Caryl Phillips&#8217; latest, and the book is just simply great!  Following Catherine Johnson&#8217;s article recently in The Guardian asking the question where are Britain&#8217;s black writers, it makes you wonder why she failed to mention this genius?  It has been a long time where I&#8217;ve read a book which has managed to stimulate the old grey cells.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The New Danger by Suzette Muller</title>
		<link>http://courttianewland.com/2011/12/09/the-new-danger/#comment-1343</link>
		<dc:creator><![CDATA[Suzette Muller]]></dc:creator>
		<pubDate>Sat, 10 Dec 2011 20:56:35 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/2011/12/09/the-new-danger/#comment-1343</guid>
		<description><![CDATA[Good article Courttia but with one big problem.  The black British authors you&#039;ve used as examples of black British authors not enjoying success actually are very successful.  While they are not quite household names Precious Williams, Yvette Edwards, Chris Abani and Alex Wheatle have had far more success than the average author of any race.  When Precious Williams&#039;s book came out every time I switched on the TV or opened a newspaper, she was there and her book was published by Penguin if I remember correctly. Yvette Edwards did not get much publicity but she was nominated for the Booker award unless I am greatly mistaken.  Chris Abani is actually based in the States and a US citizen and he&#039;s won major awards there and is very successful.  Alex Wheatle does not get the level of publicity that he deserves I will agree with you there but I still consider him to be a success as well.  

How can you class black authors who get nominated for the Booker or get their memoir picked up by a major publisher as not being successful or promoted? Your article therefore would have been stronger if you&#039;d used examples of black British authors who truly have been marginalized or almost ignored.  Writers like Gemma Weekes, Peter Akinti and Chioma Okereke.  Instead the writers you&#039;ve referred to have careers those of us who are aspiring authors can only dream of!]]></description>
		<content:encoded><![CDATA[<p>Good article Courttia but with one big problem.  The black British authors you&#8217;ve used as examples of black British authors not enjoying success actually are very successful.  While they are not quite household names Precious Williams, Yvette Edwards, Chris Abani and Alex Wheatle have had far more success than the average author of any race.  When Precious Williams&#8217;s book came out every time I switched on the TV or opened a newspaper, she was there and her book was published by Penguin if I remember correctly. Yvette Edwards did not get much publicity but she was nominated for the Booker award unless I am greatly mistaken.  Chris Abani is actually based in the States and a US citizen and he&#8217;s won major awards there and is very successful.  Alex Wheatle does not get the level of publicity that he deserves I will agree with you there but I still consider him to be a success as well.  </p>
<p>How can you class black authors who get nominated for the Booker or get their memoir picked up by a major publisher as not being successful or promoted? Your article therefore would have been stronger if you&#8217;d used examples of black British authors who truly have been marginalized or almost ignored.  Writers like Gemma Weekes, Peter Akinti and Chioma Okereke.  Instead the writers you&#8217;ve referred to have careers those of us who are aspiring authors can only dream of!</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The New Danger by Sandra Wilson</title>
		<link>http://courttianewland.com/2011/12/09/the-new-danger/#comment-1335</link>
		<dc:creator><![CDATA[Sandra Wilson]]></dc:creator>
		<pubDate>Sat, 10 Dec 2011 00:15:25 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/2011/12/09/the-new-danger/#comment-1335</guid>
		<description><![CDATA[I read both articles and prepared a comment  however, I was so incensed I felt it was better that I didn&#039;t start writing what I felt about this topic.   We all  know what one of the underlying reasons is or another reason could be that the elite that own the large publishing companies or judge the book prizes do not understand the lives of black people in the UK.  Rather than complain I feel it is better to take action to make our own changes.   As writers we can support each other and purchase books by other black writers.  We have access to Amazon and do not have to rely on the little black section in mainstream bookshops.]]></description>
		<content:encoded><![CDATA[<p>I read both articles and prepared a comment  however, I was so incensed I felt it was better that I didn&#8217;t start writing what I felt about this topic.   We all  know what one of the underlying reasons is or another reason could be that the elite that own the large publishing companies or judge the book prizes do not understand the lives of black people in the UK.  Rather than complain I feel it is better to take action to make our own changes.   As writers we can support each other and purchase books by other black writers.  We have access to Amazon and do not have to rely on the little black section in mainstream bookshops.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The New Danger by Chelsey Flood</title>
		<link>http://courttianewland.com/2011/12/09/the-new-danger/#comment-1332</link>
		<dc:creator><![CDATA[Chelsey Flood]]></dc:creator>
		<pubDate>Fri, 09 Dec 2011 17:30:21 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/2011/12/09/the-new-danger/#comment-1332</guid>
		<description><![CDATA[An interesting and worrying post, Courttia. I&#039;ve only just got my first book deal, so don&#039;t have firsthand experience of prejudice in the industry, but I have been told plenty of time that as a general rule, men/boys won&#039;t read books by women/girls. That&#039;s just a fact. My writer name is C.J. Flood as a result. But boys likely won&#039;t pick up my first book because the narrator is a girl! Surrounded by boys and men, but a girl none the less.

I had a conversation with some writer friends recently about certain (white) men at the top of the industry, and all the attention their books get, sometimes just for being good, unextraordinary books. We tried to think up women who were upheld in the same way, and struggled to say the least.  One writer admitted feeling almost embarrassed to be a woman writing women&#039;s experience, as if somewhere inside herself she actually thought it was less worthy. Very messed up. 

No one wanted to talk publicly about the thing because it would always look like the bitters. But I think you&#039;re right, without honest input from experienced writers working in the industry it&#039;ll be awful hard to get to the bottom of the matter. Almost as hard as believing that somehow women/black writers are simply not as good at writing as white men.  

Anyway, I&#039;m off to look up the writers you mentioned.]]></description>
		<content:encoded><![CDATA[<p>An interesting and worrying post, Courttia. I&#8217;ve only just got my first book deal, so don&#8217;t have firsthand experience of prejudice in the industry, but I have been told plenty of time that as a general rule, men/boys won&#8217;t read books by women/girls. That&#8217;s just a fact. My writer name is C.J. Flood as a result. But boys likely won&#8217;t pick up my first book because the narrator is a girl! Surrounded by boys and men, but a girl none the less.</p>
<p>I had a conversation with some writer friends recently about certain (white) men at the top of the industry, and all the attention their books get, sometimes just for being good, unextraordinary books. We tried to think up women who were upheld in the same way, and struggled to say the least.  One writer admitted feeling almost embarrassed to be a woman writing women&#8217;s experience, as if somewhere inside herself she actually thought it was less worthy. Very messed up. </p>
<p>No one wanted to talk publicly about the thing because it would always look like the bitters. But I think you&#8217;re right, without honest input from experienced writers working in the industry it&#8217;ll be awful hard to get to the bottom of the matter. Almost as hard as believing that somehow women/black writers are simply not as good at writing as white men.  </p>
<p>Anyway, I&#8217;m off to look up the writers you mentioned.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on The New Danger by plaintain1</title>
		<link>http://courttianewland.com/2011/12/09/the-new-danger/#comment-1331</link>
		<dc:creator><![CDATA[plaintain1]]></dc:creator>
		<pubDate>Fri, 09 Dec 2011 16:53:22 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/2011/12/09/the-new-danger/#comment-1331</guid>
		<description><![CDATA[Some years ago I once sent my manuscript to a publisher.  It was a story set in Tottenham, a story I felt, captured what is like living in the area.  After about six weeks later, the publisher called me and said they loved the story but wanted me to ‘adjust’ the characters, especially the black characters.  I asked why.  They said that the black female character was well written and so forth, but, and get this – England was not ready to handle strong black female characters, and also, I should not have the black characters in any shape or form, attacking any of the white characters.  Whether verbally or physically.  That really put me off writing for some time.  Then I was ‘amazed’ when I read the book by Kathryn Stockett – The Help, a story set in the south, in the 60s which featured a white female character and two black female characters. I should add for those who have not read the book (or seen the film) the black females are servants and the white female is a journalist who wants to write a book on what it is like being a servant to a white family.  Although the book was a success it was also controversial as the author is white and writes the black voices in what African Americans would call ‘Ebonics’.  Also one of the black female characters Minny, besides hating her job, also dislikes white people.  What I found annoying other than a white author telling someone else’s story is that Stockett is allowed to get with not only ‘filtering’ and cleansing these characters and their experiences but she also gets away with creating a black character who is allowed to show her contempt for the people she believes oppresses her. And yet we (potential black author) cannot do that. 

It would also be good if authors like you, put your comments on the Guardian blog as I think that is one of the problems, we hardly respond to any of these things!!

Many thanks]]></description>
		<content:encoded><![CDATA[<p>Some years ago I once sent my manuscript to a publisher.  It was a story set in Tottenham, a story I felt, captured what is like living in the area.  After about six weeks later, the publisher called me and said they loved the story but wanted me to ‘adjust’ the characters, especially the black characters.  I asked why.  They said that the black female character was well written and so forth, but, and get this – England was not ready to handle strong black female characters, and also, I should not have the black characters in any shape or form, attacking any of the white characters.  Whether verbally or physically.  That really put me off writing for some time.  Then I was ‘amazed’ when I read the book by Kathryn Stockett – The Help, a story set in the south, in the 60s which featured a white female character and two black female characters. I should add for those who have not read the book (or seen the film) the black females are servants and the white female is a journalist who wants to write a book on what it is like being a servant to a white family.  Although the book was a success it was also controversial as the author is white and writes the black voices in what African Americans would call ‘Ebonics’.  Also one of the black female characters Minny, besides hating her job, also dislikes white people.  What I found annoying other than a white author telling someone else’s story is that Stockett is allowed to get with not only ‘filtering’ and cleansing these characters and their experiences but she also gets away with creating a black character who is allowed to show her contempt for the people she believes oppresses her. And yet we (potential black author) cannot do that. </p>
<p>It would also be good if authors like you, put your comments on the Guardian blog as I think that is one of the problems, we hardly respond to any of these things!!</p>
<p>Many thanks</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Dissemination, Democracy and the New Danger by courttianewland</title>
		<link>http://courttianewland.com/2011/08/23/dissemination-democracy-and-the-new-danger/#comment-988</link>
		<dc:creator><![CDATA[courttianewland]]></dc:creator>
		<pubDate>Thu, 29 Sep 2011 18:55:32 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/?p=480#comment-988</guid>
		<description><![CDATA[I&#039;m not sure what Will Hutton means, precisely. Do you have a link for the article?]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m not sure what Will Hutton means, precisely. Do you have a link for the article?</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on READING SERVICES by Teyah</title>
		<link>http://courttianewland.com/reading-services/#comment-987</link>
		<dc:creator><![CDATA[Teyah]]></dc:creator>
		<pubDate>Thu, 29 Sep 2011 17:38:08 +0000</pubDate>
		<guid isPermaLink="false">http://courttianewland.com/?page_id=138#comment-987</guid>
		<description><![CDATA[Normally I&#039;m against killing but this article sluahgtered my ignorance.]]></description>
		<content:encoded><![CDATA[<p>Normally I&#8217;m against killing but this article sluahgtered my ignorance.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

